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Wendy Crumpler

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Wendy Crumpler

1950s Coke Bottle

Pulling Bottles

In the late 1950s, I loved going with my older brother Warren to the barbershop. It was an old-fashioned place, large, dark, and manly, three hydraulic chairs in front of a long bank of mirrors with exotic bottles lined up along the shelf below. The unvarnished wooden floor was black with years of footprints and the cavernous green walls were heavily stained from cigarette smoke.

This was the domain of men, men both big and small. I was an outsider and knew it, so the barber shop held a compelling fascination for me, like some exotic foreign island I could visit from time to time but never inhabit.

In the front section of the building was the barber shop itself. The side with the barber chairs brightly lit, the opposite wall where I sat on a deacons bench, dark and shadowy like the rest of the building. Midway through the room ran a low open railing with a sort of gate at the gloomy side of the room. Beyond that barrier lay the pool hall.

If the barber shop was an exotic island, the pool hall was the 9th circle of Hell. You simply didn’t go there. It was too dangerous, tinged with sin, full of riffraff. And, as such, was just about the most alluring place a five-year old girl could ever hope to see. The smoke, the dim lights, the crack of balls smacking against each other, blue chalk and mysterious red cubes shaken from oddly shaped containers kept me fascinated while my brother was on the chair. Some part of me knew I should be paying attention to my brother and Mr. Bill Upchurch the barber, but my eyes and ears were constantly drawn to the dark smoky richness behind the barricade.

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